I Only Meant Your Loop Was Running Out

Billy knew his Blastopods.
that always impressed me, more
or less, and his thing for the Lepus,
you had to hand him a grudging
respect. areas of limited interest
driving a kind of archeological fervor.
he comes around since dying.
once we were doing something
with ketchup, another time
there were balloons and a vast expanse
of open prairie. he wanted to kill
at least two of my favorite lovers
but called them oddballs instead.
then the time the entire city, Detroit
maybe? was merging with him
like neither was the tumor
of the other. towering spires, sprawling
masses in concrete, steel, glass exo-
structure melded seemingly painlessly
with his shaven head, nearly obscuring
the horseshoe scar.
hard on the parked cars but aesthetically
a rousing triumph of form over fucking
anything. why him? why did he get to grow
whole metroplexes while I direct traffic
on a carless post-apocalypse holiday weekend?
a parking garage in his skull.
skyscraper bonestructure.
everything to scale.
where is my new cranial urban utopia?
aren’t I the situationist here? didn’t he
revel in those cracks like “Today I am a tree!”?
that pose a la Krazy, languid, delirious.
I wrote a poem the year he first walked
into a doorless building. I hadn’t seen him
but he was there (with the ponce retroactively
removed) as follows:

draws me into a cartoon pencil, pipe
cleaner limbs, punishing of joke.
That I laugh withal ejects
me out a panel edge into what,
Peanuts? he liked them, I think?
he’s as night unaware it’s narrating
itself in decorative potted Aztecs.
the moon as carafe, smoke
as a tree. I’m joking, seriously.
No malice in his nature, no sex but what
in suns can never be forced set.
And he’s lone, sketched form, moron
ballets for one, whisper-felt as that buzz
on the hairs in your inner hearing.
it’s a permanently pregnant
chimney, curls in stork flight.
if I can drug myself deep enough
I’ll see standing chromium coaches
brim as the grain of space beneath
a flaming picnic plate on fish wire.
clang once if you know this
is all a fabulous artifaction. gutless
vesper in the next town annexed
by your exoteric drown.
when we pissed off the drunken boy
wonder you knew it would never
get better than that, but might
sustain indefinitely.
I’ll develop a plan 10, 11, and on…
keep doing so but they all bust.
blastopods? osteoblasts?
brain as undulant gotham?
you squirreled the original plans
in your matter now fusing weirdly
with that rotten tentacled pome.
have better to recall, memory,
than yours truly in lung terror,
here ipso your wise ass as predicted,
laid out single endangered head
on a dream compacting hybrid. concrete
that looks like marble in Canada.
who’s to become now insignifica,
posed as a woondid gezelle?

How We Meet (Your Security Expectations)

what you think you’re observing
as a learning trigger, a martini
hour distraction or foreshadowing
potential deathbed riddle is in fact
nothing but a large self-instigating cloud
you could write your name in whose shadows
it both blows into and off you.

just the songs for a staring contest.

a song or a series of songs as interruption.
pardon me ma’am, your desert for one is ready.
no voluntary beast could be as chipper
as you and your stand-in pretend.

possibly get a bob. it worked for Irene Castle.
she had nothing left to apologize for.

those gaps are all vacuums, the bones
elaborate styli. you’ve spilled your umpteenth
breakfast on your Bizzy Buzz-Buzz (registered)
that doesn’t mean you’re necessarily beneath
anyone’s bed in a lurking legs up attitude

or working a deface painting booth at the S&M faire.

the images as described are in the public domain.
you may experience a slight sensation of being
but don’t worry the shitstorm print quality will blunt
you and what appear to be flocks will be redacted,
just scratches where time wanted out
and unquantifiable color artifacts, color
never having been present in the negative.

word to the wise; carry your own gangplank.

he discovers he’s going blind and blames
you, thinking it had said something
about a dream bush or idea tree
at your latest non-local uncle’s wake.

but that light was always coming from
not going to if you’d only remove from your head
the soft box, incubate first then fret
about the strobe replicating your childhood
in meticulously lit and coifed dreads, stealing
all your best chickens and turning them back
into you, peeling, naked as a zoopraxiscope
of nervous layers on collection day.

on the subject of the persistence of relativism,
do not confuse the thaumatrope with your mom
and a man she referred to as Uncle Tonight.
between any two cels there is a no standing zone,
haven’t you noticed how the sailor holds
his ground? Moving Hold (registered) as the people
around you only dress up their presences
so loss intensive, albeit super stylish, to create
a place of tranquility that smells like orange
cake.

remind me to tell you how I’ll die, the logistics
are a bitch but the headstone promises to be
delicious if the rain doesn’t melt the legend
before everyone’s had their piece.

the wrist fractures just so, drawn down
by the weight of the spurious concept
of a wrist as a series of choices, strokes
on cue though surely this cannot be a kind
of play? they all believe they are privy to
the victim’s next move, the next crooked stem
from the bouquet.

everything is boneless for a reason.

try breathing through your air.
the crows will confuse and lose
their group think, leaving you
the out you may not actually desire.
I only tell you these things on spec
against a slow first quarter.

tactile heat waves have made your highway
a legitimate blowout risk. this is the tightwire
music walks and yes, sex the same, the fits
are what differentiate us from them.

I’ve been instructed that money matters.
I now recognize that it’s the other way ‘round
and the dormancy of the peak is nothing
to do with the peak at all, but the plates
being loosened just enough by a quality
grade vodka.

the trick is in the knowing
how much will be enough to produce
a second date and how much too much
not to avoid annihilation of the entire race
of early circus innovators.

this is one case where it can be argued
obliteration is not it’s own most emergent
industrial byproduct. a civilization is
only as strong as the weaker of the forces
that loses the race to destroy it.

yes, again, you are a delicate flower.
but you cancel nothing that wasn’t worth
moving into the storm’s path in the first place.

you say plump, I say tomato, it takes all kinds
to make a sundae after church.

but the thumbnail of the ghost is growing
too detailed. I had to back away
to regain some sense of forced perspective.

one quits playing the bass as transparent
plea to be begged to play the bass, the other
is writing about Sandy Koufax in an echo
chamber from the early days of sound.

the programs that were left on the seats
were made of cornbread. It rendered their collectible
value nil. but as souvenirs they were sweet.
mine had a large imperfect garnet in it. I was
carried back to mardi gras and the tooth
broken on the baby. these risks are difficult
to accept as commensurate with their rewards.

true, it’s really all just like butter, isn’t it?
like butter you supplant with bleeding first
responder red by cover girl, or vicey versey.

the business about the one fifth of a second
and your multitude of unconventional shoes
and I’m carried back to a time when I knew
a lot more about such things and wasted
so many hours laying down an airstrike
of utterly unutterably enduring genius
before feigning the motions that precede
feigned sleep.

every word of this is true and not
one not less than a perfection of the cowardly.

I should have told you you were brave
as a newborn under a spark shower
in a foundry gone one hundred percent
automation. I should have stripped you
of all that pleasure, taken you out into
the exercise yard, shown you the aeonium
I grew from seeds from the colon
of a Red Kite, died of natural causes, April 19, 2011.

I should have kissed you or the sound
of your teeth against candy, one, tomorrow
when I still had the chance.

Body and Highlights

they say he said he was canada’s

angel of death when I saw him

he was wearing black boots and coat

and he had a retarded haircut

the mayor was here she said

in the wake of these tragic events

we will never again be able to take

a retarded haircut for granted

I was sitting in study hall doing

my hair when he came in

the eyes were just empty and he

kept walking shooting almost as if

his haircut were retarded

our teacher ran in then went

out again then came back in

and said there was something

retarded about his haircut

we all started running from

the sound of gunfire and

the retarded way his hair

had been cut and the screaming

there was blood everywhere

you looked and my friend

got shot and I had to drag her

to the salon I heard they found

his web site full of pictures

of guns and knives and

retarded hair and death threats

to the people he thought had

given him a retarded haircut

and when it was over somebody

was dead and probably more

will die in intensive care

and the guy got shot by cops

I caught it on my cell cam but

there was all this blood so you

could only see a little part of

a retarded haircut and they were all

wearing these hats

There's Something Written on the Head of This Transmission Terminated

I want to take a moment to tell you everything
is okay, liars are always polish, I have the list.
fibbing by the way is a word for salvation, oddly
as nuns are all blondes yet it can’t save this one
small unassuming one. she was a part time
bartender with elevatory tone. the limping journey
home of an old shed caller, for whom no special use
is, in this case, in fact, a deciding tilt.
which brings us, of course, to the subject of art.
he’s his own dental dangers animation.
it took him a month the length of a day in central
Florida to arrive at that, not counting the dance
break and, thank god for Tylenol mist,
what appears before you is the result of blue-
ball sciences: a full frontal prototype of plastique
we can take to the carnival. Do some hometown
trading. Not, perhaps, the in-flight subject the artist
whispered about as a possible catastrophe how-to
seminar junket. But collaborative melodrama is,
by nature, smoldering with the power to make you
hungry. The bin into which you plunge with ceramics
replaced in our hearts by the boundless expressiveness
of kickboxing.


submarine dancers. in the tropics the dancers
are restricted to performing only in the area
of the body. disarray is a game similar to our own
Russian charades. expect to experience a little muscle
soreness. aching is the best thing for it when we talk
of stress and/or names. you might call one one thing
and bet on the other wanting to be called that one
thing instead. it’s a losing battle. teach each to master
the plunger and inhibit any designs on making a life
of it, illinois or otherwise. gurgle when you know they aren’t
awake. odds are stacked heavily in your favor during the trial.
they will both be exonerated, I see it in the cards in my tomb.
you are too round for any other outcome to be possible.
you’re wasted.


that afternoon the twins threw over commercial reconstruction.
it seemed as if world-beater wreathes were not in the picture.
two days is clearly, for clarity of purpose and sticktoitiveness,
the difficult age. we find aggression an aesthetic manifesting
itself in sometimes subtle forms of waitress mutilation, and in
other cases the carpet bombing becomes a valuable tool.
I work a crane, therefore a crane does not work me. I am,
therefore I crane. accidents are ideal settings for acting out
irrational thoughts of blood loss, bone puncture behaviors.
supplier, meet your new yankee. jack, I was neutered on the x
where you fell out of a sense of the acoustically bungled.
let the tiretrack mew, the best thing to do is a maple-leaf
rag. music can ruin a chest faster than one loaded idea.
a true friend yells to bury your gasping.


things are not as animal as they seem. synonym for amiable.
a worm to the uninformed. none of us down here between tunnels
a10 and a12 are informed on any subject. the rapture of calculating
your rate of undress against the consumption of the fans.
it’s very acute, so a handful of the more resourceful attempt
to mount a production using only the corroded bodies
of paris week survivors as principals. aboveground smoke-
pots, purely symbolic, represent the fact that we all have habits.
averting is the one strategy that might get you through
to the rally in a Dearborn hotel ballroom. Hysteria spreads
like a telepathy. I see the birds with the teeth in my mind.
men and women and the others scramble, frantic, for a sex
partner to end on. The trampled look nice in their new context.
arrangement appears to be some sort of key.


this is not a good time for me.
I only do basic cutwork.
you can get another inch out of me,
but that’ll have to be it. unless you want
another inch. I’ll put you in touch with your material,
but no promises on risk. or how hard it has to be
before the rate structure changes.
the search takes in an expanse of wooded
trees. an area peopled by squeegees, the chills
and a hard-boiled approach to life.
I won’t lie to you about the chances.
I won’t talk to you at all.
this has become a civilized matter and that’s a language
thing, we don’t do those in this department.


gazing lamely, nearly timeless, across the grazed hillside.
it fell right over there, where the zap marks are clearly
manmade. no one factor is to blame. just the fact
of the impregnation, the bewitchment of a whole global skate
park, the flagrant avoidance of insipidity in your statement.
an intrigue encumbered by a chronic slap enveloped
in a standard business-proof envelope concealed
in the antidote case under your seat. the xerox
equipment to read the xeroxes of each thing it took
since rebuilding post-war asthma to gather and collate
no longer exists. none of what was ever put on paper
can be read. we have to turn to space.
they have the compound locked down, subsisting on mice.
call in the negotiator, fit her with an exoskeletal saying.


this one says on.
all the others say bitterly amusing
or wrested from the jaws.
I found sequins on the floor where she had the seizure, kept
some as souvenirs. the bringing together of incoherence
and a flaming mr. coffee is how international taste-makers
are made. I’m only as opulently a sneeze as a bedside clock is
the tact lacked by the intervals.
you’d like a bath now. some freshly harvested poetics
from the garden in the exercise yard. the time to get it
wrong again. what must monsieur broom air be thinking?
he beat the euphonium till it bled stardust. am I blue?
I know an atom when a bomb reminds me of silk bones.
I can drop dead as corny as the next guy.


so at last they pulled the holes out, brought in the big artillery,
the fit of the suits and the feel, a bright new awful soreness,
conviction and seats on the various housetops at parade time,
millions donated tibias and unarmed dolls, the nucleus dwarf
did his skateboard routine to great reviews, a game came out
wherein you pardon the act but fry the families of the witnesses,
an age of wrinkled little black cocktail dresses, the compulsory dick
tracy underarm snubnose law, Jackson became statistically the most
common name to visit dallas at fall color time, the antecedents
were all provided for, the tardy hanged, that whatsis country stopped
being European, pandemonium replaced the unsingable becoming
the new no-sing anthem, mousse the national dessert.
traditionally, rita was still dead of dementia, the rest remained astigmats.


went down to the clinic to have my nerve removed.
started preaching on the merits of a unified stereo theory.
bought a pocket yacht.
hauling cargo helps with the rebuilding costs.
do you have a pen on you?
my right hand has been swamped lately.
Indigestion is a fulltime job.
a buck just to fall through the ice at the desert end of the pond.
and this phobia that I might develop a droning in my ears.
this years "capsule is…?" contest has me abstracted.
I don’t know the colors anymore, where they go.
the dark is just another consumer.
and I wrote a letter that impressed me enough to frame it.
but I still pity marriage as an institution without refrains.


able graybeard.
stud blender.
perjury compensation.
The arthritis solo.
item to tumble dry.
feet that beep.
vocal.
undressed and waiting for a bandmaster.
day remorseful as sunlight.
clog dancing at sex division.
the flash.
wax drizzled on flower.
the hatless fouled by canopy.
monumental erection.


the restlessness and it’s hotelkeeper
at pancakes again overnight
menacing admirers before they jump
invariably they get it then don’t they go sublet
to some elvis despiser klatch? your best bones
on their kick it down to a peg we can gravitate
over books. in that spirit lies the absolute
set out in portions and thick, willing steak.
I hid the bits in a streak of light in a web dancer
as a humanized commixture, anglo-indian
lives in the heated part under the jew
mistletoe. a whole colony of the disinterested in radio
they’ll have to snowball through. By that time I will have
blushed and pressed the ledge vertical.


hail to the beard of the car-conscious sphincter
of car-ferry mind and rude to plane
as inferior of icefall and overeating to bells
as car as murder weapon is to salamander
this is some nice fabric, glad I ate more
than I could possibly fill. the deeper hammerfall
and you’re locked in on opulence, the head you left
for filing never surfaces in this holding tank again.
I’m applying for the position, I can be edible.
touch it if it grabs you, I have catharsis gags to spare.
a trance in each exit, your plaque on every cough.
will I mount your video or you mine? I’m unqualified
to work with sound but I can make anything
unendurable, for whom?


out here beneath a criminal sun
beach become wisconsin I wisconsinite
astride a team of platelets bound for suspension
I feel like ike on the morning he stepped out
to discover lulu’s ass in his holster
felt the handsomeness of his own feng shui
with infected followers and tincture of horse
in a small leatherette rear echelon holder.
this broad sky of dune, lush center of functioning
and a beard to start an alibi
I look at it all objectively in retro
as a cabaret might it’s stapled hookers
the risk of a spontaneous cleft palate still there but
strictly in satirica


the delicate blending of underrating and motivation
dissolved in a stigma reduction
we know the piggybacks will continue
collapsing under structurally inferior poured cowboys
that to tweet is a sign of readiness
and any pizza, even this one you’re nearly through, is fixable
long as the aquiline beak, the brushy surround of the well,
the can-do of factory blood holds its value
there’s an elodea called OF THE
with no more to go on than to just go on singing
so mules packed and no territories to light out for the team
lights out. to a small flat patch where you’ve feet, on the spot
of your original eye trouble. If a guess is worth as much
put me down for hackmoth

While Listing to Wire

was ever tale more told than this
tire iron by yon ditch of free press
when night shall reign to descend upon
thy the sleeping kid a la his ID
and stammer itself to junkies crest
twenty inches above the very tips
of ranting where ceaseless
color fractures by unnoticed
fed from thus and short nightied so
the sheets that wound the wits
that bound the feet to the red month
ramps, that the glory of the lark may be
awash, trashed
the name by which the approaches
simonize, beacons pattern lest they fail
to coalesce, the Right Rev. Billy Con
Carne bleed on this aeration, bless us
lore of a falling from one high
that proceeded by chance to Dreisers
steerage, low, driftwood
a blanket and a passenger left
still not so twas a nail from the Pequod
even to say Indians chant alas
this merry band needs none of it
encouragement, nary a score ago
and quite so underanswered
where the shoe rests merrily in the block
tepid, tis as the old removable Johnson quip
enduring as it endured calisthenics by the gross
why ever’d night, being so long, say only so long
as the tones on this the inside wrong pipe might
those once having bathed together never again
to see the mist on the heather with a strap-on
friend, mock them for they stutter so
to court you raw, but soft
an noble ass needs carrying to school

Rebreather

This summary is not available. Please click here to view the post.

Show, the Stopper

a thing for elements
leave the notes there
over at hair noises
baker was reconfigured
right so
his flowers go spread
in ends the slab tones
those walkway pics to eating siam
it blows he’s to make more fish
check the clouds
for a paper trial
theretofore rank inversions
waters expanded behind you so you are
a definition in tights
where is it cats?
the last show on greatest earths
that one can’t be gone into
baker’s got his histories on
a lump to the rec cen
buck serviced investors
so I can’t see the pies coming
that I knew
time to mate

Time is a Hole in TIme

ragged as the ingots
of the fisherman elite
as are his shears the fisherman
one bald
no label
declared unfit for head
when the klan had gameface
enough of hammer
to print
to get red
stamped up a crowd of smoke to
give a leech his senses dullness
cleats of speech and tips
on form
one a lord
of the patterning made lightning
clear channel plays trap dumps
prop brutuses sold as is
mumble
to the crude
a word to the seasonal drubs
you’ll be blamed by your corpse
these logo ties are by unifraid
thus fucked
as a raise
the making is in the one that’s a big
anoint the model number
say amplitard when you want your own
bossed lunch
tenderer
how’d he land in here?
driven to the middle of an hour
every minute and batter
to taste
some noose feed
they’re stippling wagons
in those converse shades again
and again with its endurance
becomed
like a boat
membership has its navigator
Arid Hump and personal van
he numbers eggs by dating treason
under
cups of room
they mean spirit but take off
for a shore of tiny animal pots
the researchers come in their coats
and the
all the time
the picnic already
there was always not knowing a tree
the only wave the other tube holding
in step
up a boot

Behavioral Prefaces for Bam Bam

Astronomers have observed
a giant arrow in space
possibly the biggest arrow ever
seen in the cosmos.
When NASA's ARROW
Space Observatory first spotted it
10 days ago, observers thought
it was a massive arrow
blowing up as a giant arrow
and expected it to fade
within hours or even minutes.
But the high-energy radiation
from the arrow has shown no sign
of dying down, which suggests
that astronomers may have caught
a giant arrow in the process
of being ripped to shreds
by a giant arrow.
The arrow is actually a series
of arrows, like a string
of arrows going off one
after another.

"We know of arrows
in our own galaxy
that can produce repeated
arrows, but they are thousands
to millions of times less powerful
than the arrows we are seeing,"
says Giant Arrow of the Space Arrow
Science Institute in Baltimore, Maryland.
"This is truly extraordinary."

ARROW's Arrow Alert Telescope
detected the arrow on 28 March.
The Hubble Space Arrow
Telescope took an image of the arrow
on 4 April, which located the arrows
at the center of a giant arrow
3.8 billion light-years away.
On the same day, NASA's Arrow
X-ray Observatory took a picture
of the arrow by pointing at it
for 4 hours.
That image also showed
that the source of the arrows
was at the center of the arrow
imaged by Hubble.
The position of the arrow within
the arrow offered a clue that the arrows
might be associated with a giant arrow,
as nearly all arrows have a giant arrow
in the middle.

"We think that there is a dormant giant
arrow there that has accreted a lump
of arrows—probably a giant arrow
that has fallen into it," says astrophysicist
Giant Arrow, the lead scientist for ARROW
at NASA's Goddard Space Arrow Center
in Greenbelt, Maryland.

What could be going on is the following: A giant arrow
flitting too close to the giant arrow has been grabbed
by its gravitational pull. The arrow's gas has been falling
into the giant arrow, causing enormous amounts of arrows
to be released in the form of high-energy arrows shooting out
like a giant arrow.

Although this is not the first time astronomers have witnessed
a giant arrow being gobbled up by a giant arrow, the arrows
are putting out arrows far greater than previously seen.
One reason for the extreme arrows could be that the jet
of arrows shooting out of the giant arrow is pointing
straight at Earth.

Astronomers all over the world are working
round the clock to collect more data on the arrow,
and Hubble is snapping more images of the arrow.

"Some spectra have been taken; there's a lot more
work to be done on how the arrow changes
over time," Arrow says. "If it really is a giant arrow
being torn up, then we'd expect it to fade away
in the next few days. If it stays a giant arrow
for several weeks or a month, that would tell us
something different.

I'm not sure what that would be."

What Happened With the Trees

We are an excess of bees.
We live within an electrified giant bee
skeleton.
Let’s call it a bee containment system.

We are vital little beats.
We are grating brats behaving bee-like should you
choose to vibrate on our wings’ wavelength.
So it’s a stinging system of some things
collected on holiday trying to sing.

What, you ask, is the difference?
What? You didn’t ask? I've been trashing
a wonderful path and you dare to fail
to ask what makes me different?

Research is the key. Read my new book on music and sound
and how they seem so similar. How many seeming coincidences
like entering one ear or the other.

But science has taught us to learn from me. Proximity to me
affects the body. As many have felt, the bees are living in interesting
super positions. The times they are a bunch of bees. Those are the times
I live for. To me, science is a fruit basket I’d like to eat right now.
As new as a newborn baby bee, that’s how my breakthroughs come.

And this is how they are reported to you.

Brand new technology built in the seventies
allows us to probe deeper into our own wells
of seemingly depthless beauty. The mysteries of our minds
and how they find me, our bodies with me
as the sole exception, and the surroundings the same
color as my hair this week.

Many musicians in the scientific community are coming
from places like Prague and the Hague and Montpelier National
Gleaning Preserve with fascinating research. Research I cannot help
but fail to process in any way but my own singular, signature
reinterpretation. Which is why I’m so filled with challenging ideas
and personal accounts and experiences of a bee.



I am not a bee. That was another test. Studying science and math
has given me ample grounds to talk until your entrée needs reheating.
There are, of course, many other disciplines but I’m not into that.
In order to make sure that what I am looking at is keeping me in a position
to be looked at, I need to make seemingly scientifically relevant sounds.

Given the most air up my tailpipe I always fly to Paris first. The bees
cannot keep up. To date I’ve humiliated over several dozen heartbroken
hombres with tiny bee sized penises. All of this information is available.
You can order it from my serious company. Try the serious web site, it’s free.

But I am also searching for some future
partners with whom I can part paths and relegate
to the ranks of the fallen
at the base of the hive.

Please forward any further inquiries to someone with an idea.

That we are bees is obvious. That we are being observed is obvious.
What we are when unobserved is tiny little rock stars.
We fling ourselves about as if we were innovative new technologies
from the seventies. Unlike you we continue to evolve. Soon we will be a nation
of indestructible, toxin emitting flying machines with disproportionate power.

The power to size ratio will cause you to lose your hypotheses on the spot.

In the bee controlled future. This is where all hope lies. We look stupid
and fly toward the busiest intersection where a crew is armed
with that forty foot shooting hornet spray. This is where they make
their fatal error. With all of their math and science and sound and vibration
and prerecorded backing vocals and introspective singer-songwriter coffee house
rock star rehashes, we are not hornets! Neither are we wasps!

We will grappling hook you to a place where science and spirituality
and the microwave pop hook all converge to have artistic intercourse.
Soon you will do our bidding in the world. Soon you will cease to call
it a nest. You already have the hive mind. Prepare to have hive being.

It seems to me that we are approaching
the tracks upon which a train is speeding.
If correct it will be my first time doing it
with a train.

What could one consider a third phase
after simplex one and two have passed
into the realm of cliché? A song about
science and medicine. Let me expiate.

The first phase could have been; take this pill
it kills the bees in your dreams. Back in your childhood
you must’ve been raped by some bikers. That’s the usual
criteria for becoming one of the cool kids.

Nothing you take will make me well.
Nothing I say will make you whole.
Nothing, therefore, is worth the taking.
Here, take this, it will make you well.

The second phase, which I believe
involves being taken up in a craft
and anally raped by alien bikers
we could be in now. It is beginning to reveal itself.

That means our mind may have a more significant role
in thinking up things than we ever thought possible
or catchy before. In our lives we see many things
and step on as many as we can but you cannot step on everything.

It’s inherent in our healing processes, the killing
of anything in the path between ourselves and what?
That, then, is the fundamental question. The answer is
the third phase: our minds as bee breeding ovens.

I have more significant things to say and sing and a more
important role in the healing of those around me than I care
to act upon at this juncture. Our eco-system is broken and you
can tell it I said so. It’s us against the bees.

Historically speaking, many breakthroughs in science began with a 'hunch.' A small
distortion of the human. History shows us that one bee can devote a lifetime to reading bullshit while another goes searching for queens and what might have begun simply
as a yet to be answered question will have now transformed itself into a race car.

History has it's own process of evaluating what was fast, and what was faster.
In the dawn of the bee age none of that is relevant, and whatever that song was
about was equally not.

Much information has been lost at the airport, bus station and taxi stand. But the bee he
carries his own baggage and travels as a self contained mode of conveyance.

Through our continuing use of the word cycle we expect to see increasing numbers
of biker rape survivors regress. All part of our plan of annihilation of a culture
that celebrates itself by raising it’s voice and slashing at wired devices.

We bees will see them all wiped out or forced to assimilate, but that's about
as likely as your mother being from space. Another subject we enjoy ignoring.

For the time being we can only say, the truth is a warped vinyl collectible
with minor water damage sold strictly as is.

I come from another time. I communicate, via my grasp of science, in a way
that you can only dream of, proving the validity of my 'hunches' and their benefits
package, which I keep telling them, telepathically, is generous. Which of the warriors
that spoke to me in that tourist attraction were telling me what is 'true'? And which
were coming to a general consensus about the way I was sitting?

Applying our current model airplane as one more 'scientific method’, I throw things
until one flies. Then I crawl back into my nutshell and think up more things to mean.

Is that the ripcord which can be tested?
Hypnosis may give us the answer I seek.
Parthenogenesis, the fucking of one being
by another which happens by natural selection
to be the same being on the same Harley is merely
one more method of testing the length of the producer’s
discography.

In my previous thesis my research
and testing were called something
different to make sure there would be
no confusion when the new product hit the street.

Now here we are, another year, another new hypothesis
and more research and testing, though this time we’ll rename them
Disney’s Information Channel and Mushroom Lenny. And so on until
I can afford a bigger condo.

New events: report to the queen. The hunchbacks are making their information
smaller and giving it every available tempo in order to subvert our revolution.
Most of them look ‘challenged’. I was at one’s confirmation and the guys with the cycles were there. The pattern of one continues.

We 'stand and sting the higher apples on the shoulders of giant sunflowers' and as we build our empire our understanding of the world that will be ours and our lack of concern for ourselves as individuals will ensure our ultimate victory over the darkness and the hackneyed but mildly ‘clever’ lyric.

Let us ask the age-old questions; who are we? We are bees. What are we? We are bees.
In what way are we connected to ourselves and the world around us? We are mother fucking bees. To take this one step further, what responsibility do we have toward each other
and toward stinging to death all electrified barroom raconteurs to save ourselves
the headache?

We are living proof: the 'New Renaissance' due the bee is largely
based on the amount of misinformation you can pretend to like to dance to.
Available and exchanged within the closed circuses and tent revivals that serve
a mean martini. This is how they practice. This is why our dominance is assured
on a global scale. They have the mirrors but never bother.

As I look into this mirror, of course, I am finding myself basking more and more
in the thought that you are even now reading this and only I have the key
to the locations of the Easter eggs. The answers to your questions.

There is so much to celebrate here, more than just a lifetime
of made up research. I am anticipating enjoying this process
of discovering myself and interpersonal communication
with me for many years to come. The rewards can only be measured

in the hours sold, the notes flayed and the bees destroyed en masse. I killed
a bee today. Today was a good day. Tomorrow I will kill more. Tomorrow will be
even better. Where I come from – Prague, the Hague, Paris, the brothels
of Norton and Triumph, we call that hardcore science.

So much of our lives have to do with my music and the sound that emanates
from me. Everything it seems can be connected to me, is influenced by me, and
is part of the answer to the question; what makes me more human? Everything
it seems can be connected to or comes from the vibration in my humbucker.

Which is a form of repressed energy? That which leads me to the hypothesis;
if I am indeed all of The Beach Boys with walkers or on the threshold of someone
else’s dated awakening, a reference vibration should help convince the DMV
that I am a superior being. Or is it that purely by virtue of showing a vacation
snap of me meditating in a laboratory of peaced out rats I become myself
the system? What has a loop in the restroom concluded so far as my test for Tourette’s?

Welcome back to YELW-FM.
This next question comes to us
from someone who signs herself
ED S. Ed asks, “When I was asked
to meet with a gentleman who is part
of a thinking man’s kink club I thanked him
and declined. He wanted to discuss his work
in artificial musical intelligence, not something
about which I am entirely lacking in anecdotes.
So I finally put on a pair of my nicer neural nets
and gave him my secret number. The one tied
directly into the systems that are most closely
associated with explaining music you don’t yourself
understand to foreign people in terms of music
that has been proven to be entirely neutral in cases
of remissive cancer.
His question to me was this; when we ask a computer
for a date for coffee, is there a separate program to analyze
a piece of, say, pie, that we can then ask to tell us
what the next note should or would be?
Why does this music coffee barrier exist?
And why does the music not 'sound good?'
From what I understand, this type of experiment
was developed to test the ability of a chimp
to strap a computer to it’s chest and program
the perfect mood. An “off label” effect
was the ability to ‘predict the future'
by analyzing human behavior through
human-chimp dating rituals. “
Sounds like we’ve lost our connection
with Ed, but if there was a question in there
I’d rather be drowned in a Starbucks cup
than take the steps to find it. No offense Ed, and I’m sure
none taken. More specifically, who is lonely enough
to call with such soul bearing that wouldn’t also be the most
inclined to commit a crime on the airwaves?
Programs like these are not only for you
bee wannabe’s, and Ed I can smell the hunch-
back on you all the way down this land
line, but for beings developed to levels
that allow them to grasp the inevitable:
they’re dead already and still walking
partially upright. Cold in the beats of the cold
ground but still propped in place and working
with what they perceive as great success. But I was struck
by the questions; what is it that humans are doing when they
create a self-image monster, an ED S. for example, then parade
in the sun all day? Is there an experience such as music shot
through a pre-teen boy by means of electrical wiring
that can't be recreated through anything priced as art?
Official intelligence tells me that it’s time to take a bee
break. Back after this from some shifty loner
who hangs on the fringes and begs
a cult to follow her.

First, we must accept my assumptions.
Many in musicology believe that art
is a tall black dancer with a potentially
crippling back problem.

Others adhere to the theory that music
is a reflective surface, like a stone punished
by the tide, or the curve of a vulture’s beak.
Or the heads of the cultists from Madonna University.

An interesting bipolarization is created. (my ex,
for example.) In my personal experience
as a busy professional woman a musician
is better qualified to make statements than is a real person.

And in so doing I consider myself a student
of all that upon which I might expound with
a natural inclination toward my own
surgically symmetrical view.

I have felt the joys of human emotion
on several different occasions. It was my job
to interpret the feelings of others and to put them
into musical forms of which I may or may not have
any sense or for which any aptitude.

Enjoy me while you have the chance.
This has not been a remotely altruistic pursuit.
I go fishing regularly. Catch and release. Catch
and release. The repetition informs my work
and it’s kind of numbingly therapeutic.

In many small venues I have found ways
to use Music (note the upper case M, it lends
heaviness to an otherwise floaty thing
you probably couldn’t hang onto, like a cloud
just above your head. Like this one above mine.)
as my teacher did when I was underage, a type
of universal 'language' of love expressed in the tactile.

I seem to have an aptitude for it.
Along with a deep unquenchable desire
to reveal myself as a carbon cluster fraught
with inspirational mysteries. If only you saw what I see.

I like to think that when I’m in the shower
with someone I’ve just met. In a perfect world
we would all meet briefly before showering.
We would all have the ability to compose
ourselves and think before speaking.

Let me put it another way:
In a perfect world
we would all meet briefly before showering.
We would all have the ability to compose
ourselves and think before speaking.

To speak in poetry whenever we desire.
This does not seem to be the world I built
from my Dad’s used toothpicks. How did the bikers
get into this picture? How did a siphon hose
become my first line of defense? What am I defending?

Bees, we are living in perilous times. And therefore the artists
must eat the poets, poets composers and so on. Such is the nature
of nature. Such is the nature of warfare. We bees have been left
with the task of creating a world that interprets our life in the spatial
dimension of times tables. I know mine. You know yours, or you’re no
bee I want on my side. Hopefully our struggle will continue until we learn
to speak as the hunches do, directly to themselves, bypassing all others and out
the ass end straight into the erasable past. I see a day when human musicians
are rolled in flour then honey then made into something infinitely
more taste tempting. As the creators of the new ground attack
approach to people’s lives I am certain that we will prevail
in our search for that location location location, the 'oneness'
of the hive on ladies night or at happy hour or half-price martini madness.
It’s right here in the heart of all of us. My idea is this: if I feel this stinging
sensation when I pee, it’s probably nothing to worry about so ignore it
and get on about the business of making something that smells deep.
We hold certain truths to be self referent: everyone enjoys the music.
I am creating something of lasting value with my name and face all over it.
And performing it to crowds of dedicated drinkers. I assume that others
aside from the bikers will feel the same and bow to me in recognition. To some
degree my life depends on it. If the flower should fail to bend to the bee, what
of the bee and his import/export business? What would Jesus do
for honey? or Prague or Paris (fuck the Hague) or Belleville?
Some have asked; are bees even important for our survival? I would argue that
it all depends on which side of the stamen you’re on.

there are many reasons to answer a resounding 'yes' to that question.
I just don’t remember what it was. A few days ago I lost my in-car
mapping service and had to get somewhere with no help. Just me and my sense
of direction. I ended up in a parking lot surrounded by many funny
smelling ideas. I will not be touching any of them soon! But I was powerful

enough to perceive my 'space' (remember when Ideal came out with Mr. Human Sonar!)
and shove aside those who were in it, interpreting the ‘vibration’ of others through
the electrons I have more of. And the hairy magnetic particles I have to shave from
around my spectrum. A small portion of which can be perceived when I wear something
sheer and the light is behind me. By us I mean me. As sound I prefer my own.

I will also be looking into boxes and other containers for answers to where it is
I came from and how I could exist in this form. The science behind the concept
of me is an energy center you could never afford to stand in, much less
get assigned seating. The body is known to many. But I play my chakras alone.

I'm not sure that 'music that is good for us' is necessarily anyone’s
music but mine. At least nothing else that 'sounds good.’
This is what I am determined to sell through my web site.
Research and more research and the semen samples of others.

I want to look at the intersection and stop the traffic just like that!
Just by looking at it and through the force of my luminance.
I have a vintage cistern brimming with these ideas in my great room.

If you’re using the anal plug-in you won’t get that genuine foggy sound, but
with a touch of nucleic acid you might conjure a new tradition: food that is good
and sounds good and that also enhances my reputation. Flake? There are always
a frightening number of naysayers whenever a new era of music is created.

Not that they should necessarily be castrated right away. To sound good
brings a concomitant grace that allows for something resembling mercy.
But I’ve bitten off more than my share, and my share is as much as I make it.
For the pure to float and the witch to burn is scientifically proven positive.

But what are the effects of age on the body? Could we be talking about
someone who shall remain nameless not getting better but going to pot?
Her…his…music becoming bland and barely functional, sort of a 'Soilent Green'
for the ears? Possibly even slipping into a form of dementia that sparks spontaneous
outbursts like “ACK!” and causes her…him…to neglect to check the correct
spelling of ‘Soylent Green’? Could this damn buzzing at bed time be some sort of music?

Or could it be, as so many have historically found, enjoyable descent into eventual obscurity? I argue, not. Which means I don’t argue. Or does it mean my argument is that whatever we’ve long since lost in the labyrinth of my previous statement’s mirror has some deeper meaning than the weighting down of this monitor?

End times! Mysterious drought and plague have altered the food supply! My food
is becoming scare! My populations less dense. The wares of my labor less wearable
and more laborious. Am I one of those Werewolves? Of course I remain more
concerned with filling those smelly ideator’s bellies with my special brand of trail mix.
Available now from my serious professional company on my serious web site.

As bees we are staying alive. As disco Broadway hopefuls we got over it
in the eighties. No breakthroughs in science do we require for a better understanding
of the affects of nuclear waste burned to a CD and given a blurry cover.

On this one sequence of points depends our survival and that of our ecosystem:
submarines go under the water.
The Sesquicentennial already happened and we were not invited.
Creases in your jeans don’t come out just because you ask them nicely.
Noting the thing that is a product of the other thing does not make the other thing a mother. Better to live in hell than to learn new farming techniques.
Better to be a cattle prod than to be faced with inducing labor on a street with nothing but yield signs.

Better to be a dead bee and bite Walter Brennan on alternate Sundays than to serve
sonic Cosmopolitans to a vastly mentally fattening population.
We live in an era where we now have incredible access to a greater variety
of the same sounds. We merely give them different blurry covers.
Stealing works. Generally speaking many of us are free to choose
to steal from multiple categories. With this ability comes great sadness.
If we are to create our own virulent strain of anything affecting the private
areas then we must be prepared to use the power at anytime, for any unfounded reason.
Don’t argue, Harley Meat. That we can develop a greater understanding of how to dress a hunchback for Thanksgiving means we’re that much closer to being through with science.
What affects of music and sound? Not only are we, the bees, becoming more discerning, but we’re taking bowling a step further; with a better understanding of the physics, we can develop new lanes that trigger explosives and blow down the pins with zero risk of ball damage! Now that’s what I call experiencing the world without the hindrances
of recycled sound and mawkish orthodontic music.

I will be looking for my image in the sounds of nature.
Those rhythms will be found in our ecosystem, despite
what the bees are now saying to me, which I can clearly
understand at all times, not only just before bed.

Watch for my signal.
Remain calm.
Possibly use your cells to connect
to my world.

I will look to the south and break a mirror a day until I’m through.
My studies are ongoing and arduous.
Remember me in your prayers.
I will consult the ancient dead warriors and get their feedback.
My body’s ability to calm itself has nothing to do with frigidity.
I just need to focus and to heal.
I need to teach my dog a trick.
I am looking at raising studs.
A mole makes a peculiar pattern in the ground.
There may be a system in it.
I don’t understand how we work.
I will include you in my detailed explanation.

the latest research indicates that the use of the written word
research is being viewed by me as a major breakthrough.
Those technologies I mentioned? There are only two: the brain and music.
One renders input interpretable, the other produces twitches.
I will include research (research) on the vibrations in my regions
and how music affects my body when nothing else can get the damn
system – not the idea or that bundle I mail ordered – vibrating
with any of the energy I expostulated earlier as being “in a vibratory energy system”.

Just so you know exactly what I will be doing
I will be looking further to the historical use of music
in ritual as an expression of culture and most of all
in healing ceremonies involving no bikers.

For those of us who engender the best and brightest of bee-ness, the joy of music
merely lends strength and support to our resolve in the fact that the idea that music
could be indeed good for us, if not for our use of syntax, is a notion worthy of mass
destruction. Bees! Bring down the musicians! Our goal is to be here when the rain of blood
has abated!

Then, following some tricky mopping, our purpose will be to educate
and entertain by pressing the thoughts from their heads in vices.
By provoking them with small but sharpened thorns, we’ll begin to amass
our own, new, bogus research. And with some stories and personal experiences
thrown in for good measure, we will finally be as finicky as the fuckers we just tossed.

My last word before the charge: file this chapter in your mind and pass it down to your offspring. That this will have been the day when all that is possible for us was swept aside:
noodlings on music and sound and the sky-candy of an enlightened future with ample lighted parking and bulletproof in-car mapping.

Thank you for being the bees you are. Now keep reading until this swells you to a thousand times your size, whether anything’s there or blank space. And as always, thank you for stinging someone.

Rest In Peace until the laughing lizards reawaken you for the engagement.